Pop Culture Buzz

*** 1/2 STARS

Sacha Baron Cohen, who stunned moviegoers with the smash hit “Borat”, returns with “Bruno”, a film about a gay Austrian fashion TV show host who visits the USA with hopes of becoming famous. “Bruno” tries many of the same tricks as “Borat” and is just as is tightly paced, with each stunt building on the next to make the audience increasingly uneasy. It goes without saying that Cohen has impeccable comedic timing and this blistering social satire is sure to offend, enlighten, shock and make people pee their pants with laughter all at once.

Cohen is at his best when he sneaks into various events and dupes celebrities and regular folk alike into thinking he’s for real. In “Bruno” he is mostly interested in using his character’s flamboyance to push buttons about reactions to homosexual men. Some of the movie’s funniest moments come in the silence that comes after an uncomfortable comment. When Bruno goes camping with a trio of good-old boy hunters and remarks that “all the stars in the sky make you think of all the hot guys in the world,” the long uncomfortable silence that follows is hilarious.

Director Larry Charles, who shot “Borat” and directed Bill Maher in “Religulous,” seems to enjoy observing people as they’re pushed from their comfort zones. As a whole, “Bruno” feels a lot more staged than Borat”, but it doesn’t matter, Sacha Baron Cohen is an unbelievable comedic actor and he sells playing his character “Bruno” very well. You have to give Baron Cohen credit for keeping a straight face regardless of the silly situation.

In the end I found “Bruno” funnier and riskier than “Borat”. The film is peppered with strokes of genius and its hard not to admire Baron Cohen’s shrewd timing, the speed at which he ad-libs and brings stupid people out of the wood-work is second to none. Baron Cohen has always been an equal opportunity offender and in “Bruno” the right people are targeted. Even with all the extreme vulgarity (talking urethras, swinging penises, anal jokes, etc.), “Bruno” is still well written and sharply executed. If you are easily offended then skip this movie, otherwise make sure you see this film or you could be left out of all the water cooler conversations at work.

Every now and then I like to mix it up and give a “different” point of view of pop culture here on my blog. Below I have posted a review of Scott Weiland’s new CD “Happy in Golashes” by Adam Herling. Adam is from Baltimore, Maryland and he is a die hard rock and roll music fan who knows his shit! I’ve decided to call his segment; “A Straight Dude Review”". Let me know what you think, and rock on!

“Happy in Galoshes” is the second solo album by rock star bad boy Scott Weiland. Weiland, known for his roles as the lead singer in Stone Temple Pilots and Velvet Revolver, released his first album, “12 Bar Blues” in 1998. Two versions have been released of “Happy”, a single disc and double disc deluxe version (the deluxe edition offers a second disc of 10 extra tracks). The album was released November 25, 2008 on Weiland’s own Softdrive Records. Produced by Doug Grean and Scott Weiland, with select tracks recorded by Steve Albini, the album features guest appearances by Paul Oakenfold and No Doubt members Adrian Young, Tony Kanal, and Tom Dumont.

SCOTT WEILAND - “HAPPY IN GALOSHES” (SOFTDRIVE RECORDS 2008)

1. MISSING CLEVELAND - A straight forward radio pop-rocker. Relying heavily on Scott’s sugar coated vocals and hooky guitar riffs wrapped around a tale’s of regret. The first song leaked off the record, it has begun to catch steam on radio stations across the country. **** (4 STARS)

2. TANGLE WITH YOUR MIND - A “Dylan-Esque”, acoustic number with banjo, bluesy leads, and a “Wilco-like”, chorus. A very catchy song upon your very first listen, bound to be one of the more popular tracks on the album. Extremely strong song all the way across the board. (Lyrics, music, production), This track help’s make’s a statement as to what type of ride you’re in for on this album - An exciting unpredictable one. **** (4 STARS)

3. BLIND CONFUSION - A new wave styled Rocker. “Ambient/Electronic Pop- Rock”, one of the more new-wave throwbacks. Shades of Elvis Costello can be heard on this track. I call these song’s slow builders. It doesn’t QUITE jump out at you immediately, but eventually it grab’s you “hook, line, & sinker”. Alternative “radio hit” sound (post Nirvana). *** (3 STARS)

4. PARALYSIS - I’ve loved this song since the very first listen, roughly a month and a half ago before the album’s release. I have listened to it constantly ever since, and I am still finding new way’s to appreciate it. It serves as a biography for me personally; it’s an EXTREMELY well written pop song that absolutely bleeds with “Passion”. The band “NO DOUBT” co-wrote the track with Weiland, (minus the “Queen G” of course) with only drummer, Adrian Young actually performing on the track. (Adrian Young, Tom Dumont, Tony Kanal of “No Doubt”, Co-Wrote). **** (4 STARS)

5. SHE SOLD HER SYSTEM - Definitely One of the more unique song’s on the record, (Which say’s a lot). Start’s out as very quiet and soft, relying on the vocals & piano to drive the song. Heavier on the “ambient electro rock” sound, that Scott has adopted as sort of a signature style. The song how-ever waste’s little time before morphing into a quirky stomp-er reminiscent of something you can imagine fitting in perfectly on, The Beatles “White Album”, or “The Magical Mystery Tour”. **** (4 STARS)

6. BLISTER ON MY SOUL - A song Scott has described as being influenced by former brit-rockers, “The Libertines”. An up-tempo Pop-Rocker with some shades of 90’s American Punk & 80’s new wave sprinkled in for flavor. A solid track, as with the entire record, it grows on you with each listen. Weiland has an “un-canny” knack of being able to turn any phrase into a chorus or hook. He even throw’s in a little “Yay Yay Yayyie Yayyie” almost as homage to Axl Rose. The bridge and end of the song even lean on a very Reggae/Ska like vibe. At time’s I hear bit’s of Paul Westerberg even. *** 1/2 (3.5 STARS)

7. FAME - (Written & Performed originally by David Bowie & John Lennon). A fairly straight forward and honest cover of the Bowie classic, choosing to basically “Karaoke” Bowie with the vocal’s rather than re-invent the song. The Oakenfold beat that drives the track definitely gives it the appropriately fresh twist. I personally love the “Break-Beat” where they sample the N.W.A. song, “Appetite for Destruction”. As someone familiar with Scott Weiland’s history, I can’t help but wonder if that’s a little semi-subliminal dig at his former Velvet Revolver band-mates: ex- Guns N Roses members, Slash, Duff, and Matt (The Rat) Sorum. Definitely a song for a good time, don’t think it would bring too many parties down. **** (4 STARS)

8. KILLING ME SWEETLY - An extremely strong acoustic ballad that ride’s on Scott’s silky smooth vocal’s, which ride over-top of a nice bosa nova styled beat and a sparse jazz sounding acoustic guitar. Driven with a strong melody that is VERY obvious upon your initial listen, I can see potential “Hit” on this one. Especially since it becomes familiar so rapidly, and has a gorgeous melody that is all but un-deniable. This is a nicely flowing acoustic ballad about lost love. This may be the strongest, of the “quiet” numbers on the album. **** (4 STARS)

9. BIG BLACK MONSTER - This song has long been anticipated by Weiland fans, as word of its existence surfaced initially at least 5 years ago. Well, to me it was worth the wait, as it’s absolutely one of my favorite tracks in a long time. It slinks along with a fuzzy rhythm line and organ’s that can’t help but make you think back to Beck’s “Ode-lay” and The Dust Brothers. With a little of Scott’s style and swagger for good measure, this song jumped out of the box at me. His, (At time’s), almost “Prince-like” vocal take only adds to the appeal and the intrigue of the song. **** (4 STARS)

10. BEAUTIFUL DAY - This track lean’s heavily on more of the sound that has become familiar among longtime Scott Weiland fan’s. A waltz-like tempo, Tuba’s, xylophone’s, accordion’s, abstract lyrics, a moog organ, complete with a hypnotic “John Lennon-Like” hook. The harmony during the “chorus”, is straight out of Brian Wilson’s playbook. Nice to see someone contemporary recognize him as an influence in even the slightest way. **** (4 STARS)

—-DISC 2——

1. CRASH - Another, “ambient electro-pop/rock” number. Weiland stretches his voice to the high reaches of the Ozark’s for parts of this song, but all with pleasant results. When I hear the chorus, it take’s me back to somewhere in the 80’s, just can’t pin-point exactly where (Which is part of the record’s appeal). That’s the vibe I get from the sound of the song. Sometimes I hear it as a more “abstract” update on Depeche Mode’s, “Black Celebration” era sound. Then other time’s I hear shade’s of Radiohead, though without the unnecessary eccentricities. *** 1/2 (3.5 STARS)

2. HYPER-FUZZ- FUNNY-CAR - The one song I’d say it seems a bit out of place on the album, though since there is NO rule-book with Scott Weiland, it somehow works! It’s a higher powered “FUZZED OUT” rocker in the vein of “The Butthole Surfers”. During the chorus, Weiland hit’s the hard deep baritone ala STP while the guitars grind and riff away ala Velvet Revolver. Maybe Scott just wanted one song to use his patented “Megaphone” on, and during the verses, that’s what you get. As he rattles off lyrics in a rapid fire style much like “Sucker Train Blues” from Velvet Revolvers, “Contraband”. *** ( 3 STARS)

3. THE MAN I DIDN’T KNOW - A song Scott wrote several year’s ago about his father. A live version played on, “The Carson Daly Show”, has been floating around on line for a couple of years, but needless to say the studio version has been HIGHLY anticipated. Weiland’s first “foray” into Country Music is an absolute success. He originally wrote the song with the intention of due-ting with Tim McGraw on the track, but that never came to fruition, and it’s just as well. This is what country music is meant to be. Written about Weiland’s father leaving him when he was a child, and his young memories of his early home life. As sincere a “Country” song as I’ve heard sung to the masses in quite some time. **** (4 STARS)

4. SOMETIMES CHICKEN SOUP - Another song consistent with the over-all, “mellower” theme of the second album, though the entire album is mellow. A partly quirky, partially straight forward acoustic guitar number. The Drum machine and soft vocal line’s create a very peaceful vibe, and a song of reflection. The Banjo makes a return appearance. (Along with subtle keyboard’s and electronically pulsed drum-beats & some “mellotron”.) I think the intrigue is fairly obvious just in hearing how he combine’s such vastly different instrumentation, and make’s it work so naturally. Definitely catchy at first and it’s weight grows heavier upon each listen. *** 1/2 (3.5 STARS)

5. SOMETHINGS MUST GO THIS WAY - (A Cover of the Paloalto song). Begins with a beautiful piano riff. VERY chill song. QUITE possibly in my heart of heart’s, my favorite song on the record. Weiland’s soft falsetto floating naturally above the trickling piano line, as he pour’s his heart out in this cry of from within. Don’t be fooled however he provides just the right amount of venom & edge to the song, in a sullen isolated way, there’s no mistaking the essence of this song. Proving once again to be an absolutely perfect song to cover for the album’s vibe and Weiland’s present state of mind. Definitely help’s drive home the point or theme of the album. **** (4 STARS)

6. PICTURES & COMPUTERS (I’m not Superman) - Start’s out with horn’s, trumpet’s and a marching drum-beat reminiscent of a circus band gone awry, while Scott paint’s some of his most poignant; yet straight forward lyrics. Opening the song with the lyrical refrain, “When I’m alone, the world’s at bay. Keeping them still as I drift away. But I’m not Superman. I’m not every man. Just doing the best that I can…”). More glimpses of Bowie & the Beatles in part’s, but to my ear, I hear more Scott Weiland than anything. Another song building off his complexly varied sound palate, rapidly becoming one of my absolute favorites tracks. Its abstract quirkiness lends it a sound only relatable in my opinion, to David Bowie’s “Young American’s” sound, but with a sinister twist! Another personal Favorite. **** (4 STARS)

7. SENTIMENTAL HALOS - A tender jazzy ballad that find’s Mr. Weiland crooning line’s like, “God I can’t stop living. Chemical existence, Feeling’s keep me on the ceiling. Please God, Save me from drowning. Please God, Keep me breathing” in an apparent recollection of one of his more negative experiences during his well documented, “rocky road”. A lot of very smooth falsetto in the chorus, to go along with subtle jazz drumming, and jazzy guitar lines with a hint of Weiland’s manic edge to them. The Floating ambiance that appears through-out the record make’s an appearance at the end of the track. *** 1/2 (3.5 STARS)

8. REEL AROUND THE FOUNTAIN (Cover of The Smith’s) - Generally it’d be un-heard of for someone to cover David Bowie and The Smith’s. On a double album? ABSOLUTE blasphemy. Well, as seems to be his forte’, Weiland has proven that his highly under-estimated talent’s are entirely capable of carrying this album on their own, but the cover’s are like the frosting on the cake. His rendition will most certainly do “The Moz” proud, though not sure what Non-Weiland liking Smith’s fans will think, and I am curious. I’d like to think his subtleness would be appreciated. Weiland delivers the vocals with the right amount of tenderness. Extremely well covered and an immediate favorite. **** (4 STARS)

9. ARCH ANGEL - Boss-a-Nova styling’s make their appearance again, along with some gentle acoustic guitar reminiscent of Chris Isaak some times. Harry Connick Jr. at others. The song has a nice up-tempo, as Scott croon’s tales of Holiday’s past. Actually an ode to his recently deceased brother, and the Christmas’ they spent together. Another very straight forward number, and another track that grows on you with every listen. (That seems to be the theme for me, the acoustic numbers grow on me after several listens, but grow rapidly. The “ambient/electronic”, numbers seem to jump out at you with heavy sugar coated hooks, while the more stripped down numbers need a chance to drive the passion into you after a few listens). *** 1/2 (3.5) STARS

10. BE NOT AFRAID (Hidden Track) - This is listed as a “Hidden Track”, and my immediate reaction to the song, was that it should’ve stayed that way. In the hundred’s of listen’s to the album since, I’ve learned to find a sincerity and a sensitivity that’s highly appealing, and wasn’t immediately detectable to me. Every other song that I had any initial doubt’s about, I’ve since found the beauty in, and have begun to grab me in one way or another & defying the odd’s, this track has won me over as well. The only song on the double album I’d skip initially is definitely a permanent part of the rotation now. I think that in itself is a fitting description of Scott Weiland and his new effort. He’s found his permanent place in “the rotation”, and if this album is the indication it appears to be, this talented musician, is no longer, “just a front man”. He’s an extremely diversified artist with Chameleon like tendencies that always make him an interesting personality & performer. I think songwriter can now be added to his resume. ** 1/2 (2.5 Stars)

My over-all rating for the album, is 3 1/2 our 4 stars. This album contains VERY few let-down’s. Even the song’s you think MAY be off the mark, sink their teeth into you if given the chance. It’s extremely rare to find a double disc without a bunch of filler. I’d without a DOUBT recommend the double disc over the single disc; because the song’s on Disc2 that you don’t get on the standard version are ABSOLUTE gems! Some of the most brilliant stuff on the album. So I consider this a double album, plain and simple and it has the honor of being the anomaly of double albums. Quality from top to bottom!!! Go get the double disc edition at BEST BUY NOW!

*NOTE - 2 Different version’s of this album were released. Best Buy having exclusive right’s to the entire 2 Disc set. Everywhere else a standard 13 track version is available. The 2 disc set is ABSOLUTELY the way to go, as some of most passionate, “gems”, on the album are on disc 2.

LISTEN TO 3 TRACKS FROM “HAPPY IN GOLASHES” BELOW:

GRADE: A

I know I am biased when it comes to Morrissey; I am one of those rabid fans who cannot get enough of his music or live stage shows (I already have my tickets to see him at this year’s Coachella festival). Over the past 10 years Morrissey has put out some of his best solo work ever. The trend continues with his latest album “Years of Refusal” which is full of more introspective song writing mixed with cunning guitar hooks.

With his 50th birthday coming up and tons of good reviews for “Refusal” coming out, fans need not get their hankies out yet. It’s clear, and has been for decades now, that Morrissey makes and breaks his own rules, and couldn’t care less about how we choose to classify him and his music (and, if that approach wasn’t evident enough, the “Years Of Refusal” title just drives the point home). To prove this point, the track “Something Is Squeezing My Head” shows off his trademark vocals and colorful dry wit that cover his favoured topics of loneliness and isolation.

I have no idea why the throbbing and cynical “All You Need Is Me” was put on this album because it is an old single that has already been featured on Morrissey’s Greatest Hits album. But with lyrics like; “There is so much destruction in the world, and all you can do is think about me….”, how can you not smile and rock out at the same time? Another winner is the haunting track “That’s How People Grow Up” which showcases Moz’s tortured soul with more classically depressing lines that are perfect for high school outcasts that love rainy days.

The momentum continues on the driving, propulsive “Mama Lay Softly On The Riverbed” which features a gritty guitar solo that only emphasizes Morrissey’s “Life is nothing much to lose” chorus. Jeff Beck plays guitar on “Black Cloud,” which unfortunately is the most interesting part of the song. But the jewel of the record is the sprawling “It’s Not Your Birthday Anymore,” that is epic in every sense of the word. “All of the gifts that they gave can’t compare in any way to the love I am now giving to you, right here, right now, on the floor” could be the greatest set of hysterically confident lyrics ever penned by Morrissey or anyone else. It’s a big kiss-off, and a warning to those that think everyone means all of the nice things they say to you on your birthday.

As a huge fan (did I mention that I LOVE Moz?) of Morrissey’s I am grateful that he is still such an important figure in music and that his art is still able to attract a whole new legion of crazy fans. This album proves once again that Morrissey can not only rock still, but he can still articulate what so many people feel while keeping his charm and off kilter sarcasm in tact. For fans this album is another pitch perfect example of Morrissey’s talents, for those who are just now getting into his stuff, this is a fabulous addition to his discography.

LISTEN TO SONGS FROM “YEARS OF REFUSAL” BELOW!

For all you HATERS out there, just STOP! Yeah, I said it. STOP!

Our fair Britney, of the Spears clan, (or is it Klan since they’re from Louisiana?) has released her 6th studio album and is her 2nd album in little over a year (Blackout was released on Oct. 27 2007). And I must say, I LOVES IT! But then again, I loves me some Brit Brit, crazy or not. So much so, I named our Christmas tree ‘Britney Jean’. My boyfriend Chris looks at me like I’m crazy and fought with me on the name, but y’all better recognize its Britney’s Month. Yeah, I said Y’ALL!

I had the privilege of getting my hot little hands on Circus three weeks ago. So to me, Christmas came early. I was giddy as a little school girl (Hit Me Baby One More Time school girl) and have been listening to it ever since. Like I said, I LOVES IT. Let’s get down to the album track list:

1. “Womanizer” – catchy, yet brilliant 1st track to be released. You have to admit, the song is captivating if you like it or not. The video is considered “Toxic” part two, where she plays three different characters. Come on, this makes sense to someone who has been to the Loony Bin a few times. So many characters in her head, so little video air time.

2. “Circus” – All eyes on me, in the center of the ring (Just like a Circus) (Uh. Uh.Uh-huh) When I crack that whip, everybody gonna trip (Just like a Circus). Wow! I’m going to say this is a hugely successful POP song. It has meaning to Brit’s life these past few years, the use of double entendre (of a Circus and her ‘over the top’ kind of life) and grand PROUDUCTION. The production value of this song; albeit, the whole album is SUPURB. IT IS BITCHES!! The video for “Circus” is already out online and is of the Carnival theme with Big Top Tents, Lions, and Freaks. When my friend Chicken saw it he said the funniest thing; he said, “is Christina in the other tent, still looking for her father?” So funny! Yet, so true. Snap!

3. “Out From Under” – Great ballad produced by Guy Sigsworth. An amazing producer who has worked with the likes of Bjork, Mandalay and my FAV Madonna’s “What It Feels Like For A Girl”. (Interjection: “Beautiful” by Mandalay is a beloved song of mine). Delightfully written song. This is Britney’s best ballad since “I’m Not A Girl, Not Just a Woman”. That’s all I’s got’s to say’s about this.

4. “Kill The Lights” – Produced by Danja! This song sounds like it should have been on Blackout. It’s a remarkable dance track that will get your shit moving on the dance floor, or like me, in my kitchen when I’m baking! “Kill The Lights” really is a skillfully produced track by Danja and I can’t wait to hear it in the clubs!!

5. “Shattered Glass” – Another impressive dance track. If Britney’s Management team plays it right, they will release this song with a video and have DJ’s remix it! How many times have you wanted to say to someone who broke up with you:

‘You’re gonna see me in your dreams tonight
My face is gonna haunt you all the time
I promise that you gon’ want me back
When your world falls apart like shattered glass’

6. “If You Seek Amy” – Ok, so this is a Max Martin track – of the “Baby One More Time” fame. He also wrote Kelly Clarkson’s hugely popular “Since You’ve Been Gone”. The song doesn’t make much sense unless you say ‘If You Seek Amy’ really fast. It’s supposed to sound like (F.U.C.K Me). If and only when you do this the lyrics make sense; “All of the boys and all of the girls are begging to if you seek Amy”. It’s cleaver for a fourth grader. All in all, it’s ok.

7. “Unusual You” – This is where the album takes a turn. The song is a bit darker and ominous. The song starts with a bass and guitar riff and starts thumping around the 23 sec mark. The song has a great beat and moving lyrics. GREAT SONG!

8. “Blur” – As this song starts out, it totes reminds me of “Black Hole Sun” by Soundgarden. Which in it’s self is exciting. Did Danja mean to do this? If so, he’s BRILLS. Again, this song like “Unusual You” has a different feel then her Bubble Gum Pop. LOVES IT!

9. “Mmm Pap” – Not a FAV at all. I want to say I HATES it. But, I don’t, just not a favorite. I can still work out to it with a skip in my step and my inner self dancing and singing to it. I think I need help!!

10. “Mannequin” – Decent dance track. Also, before the album was released, YouTube clips surfaced of Brit Brit dancing to this song in rehearsal and looking HOT! She really is an astounding dancer. You can find this by clicking on the following:

11. “Lace and Leather” – No comment. I can only say it’s a filler song. It does have a catchy bridge.

12. “My Baby” – Britney, STOP WITH THE BABY REFERENCES! PLEASE KEEP THESE SONGS FOR YOUR CHILDREN. IT WILL FOR SURE PUT THEM TO SLEEP!!!

13. “Radar” – This track was on Blackout and is FABULOUS! I’m glad she re-released this song on Circus. If Brit had her shit together when Blackout was released, “Radar” for sure would have been a hit (as long as there was a video and some promotion behind it). Great song to work out to!

14. “Rock Me In” – Cute Song! There is a lot going on with this track. It reminds me of a late 80’s/Early 90’s track. This is a bonus track.

15. “Phonography” – Definition: The science or practice of transcribing speech by means of symbols representing elements of sound; phonetic transcription. I love, Love, LOVE this song. It’s dark dance music. LOVES IT! It’s sexy as well. I really hope she releases this song with a video. “Phonography” was written by The Clutch (writes for User, Mary J, and for Miss Whitney Houston’s new album) and produced by Bloodshy & Avant. Its probs my FAVORITE song on the album. Listen to it!!!

16. “Amnesia” – Not much to write about. Bonus Track. Reminds me of a 50’s song. It’s kind of cute.

17. “Quicksand” - European iTunes bonus track written by Lady GaGa. Not my favorite track. It’s cute.

18. “Rock Boy” – German bonus track. Another Rock themed track. It’s ok. It’s actually not that bad. It’s catchy and as I write this review and listen to the song, I really like it.

19. “Trouble” – Another track written by The Clutch and produced by Bloodshy & Avant. Another impressive dance track that could do extremely well in the clubs. A charismatic song if you can get your hands on it.

So, that’s my review Bitches! I ABSOLUTELY love this album and love me some Britney! And everyone has their opinions on Brit Brit, but give the album a listen with an open mind. I think you’ll enjoy it. And I know there are some peeps out there who take MUSIC WAY TO SERIOUSLY….Don’t. It’s Pop music. Have fun! Yeah, I said IT!

JEM - “DOWN TO EARTH”

GRADE: C

Jem’s debut album “Finally Woken” was a huge surprise when it was released in 2004. Back then Jem’s upbeat tunes and electro grooves set her apart from sounding too much like Dido. Unfortunately Jem’s down tempo follow up CD “Down to Earth” suffers from the sophomore curse and the disc in the end sounds a bit mediocre and dated. The first single “It’s Amazing” is a cheesy adult contemporary ballad that is too radio friendly and it almost puts you to sleep.

The few bright spots on the album are perky and uplifting, but once again it’s hard to differentiate her from Dido at times. It’s almost as if Jem decided to flaunt her Christian faith which makes the album’s lyrics coem off as heavy handed and pretentious at times, like in the sore thumb of a track titled “Aciid”. I hate when pop star become preachy and there are just too many references to praying, heaven, god and the after life on this CD for me to really love it.

I truly love Jem as an artist and I hope that in some way she can salvage this disc with some decent remix dance tracks. The mix of gospel choir, banjos, synthesizer beats and ethereal sound-scapes bog down the production of “Down to Earth”. Luckily there are a couple of hidden “gems” on this let down of a follow up from Jem, but not enough for me to rave about it like I did her first disc.

MUST HEAR SONGS: “ON TOP OF THE WORLD”, “I WANT YOU”, “KEEP ON WALKING”

ROBIN THICKE - “SOMETHING ELSE”

GRADE: A

If you discount Robin Thicke just because he is a white R&B singer, the son of Alan Thicke or because he sings in a falsetto then you are missing out on one of the freshest most funky new artists to come out in ages. Blending a mix of disco, soul and R&B Thicke manages to make you swoon, shake your booty and set the mood for romance all in one song. I think he has the best falsetto in pop music, even better than Justin Timberlake’s!

His first single “Magic” itself is one of the year’s best songs and even better his “remix” with Mary J. Blige is a pop fans wet dream. This CD is easily this year’s most romantic album, even the dance themed songs peppered through out “Something Else” ooze sexuality. “Side Step” is a refreshing throw back to the 70’s as is the sweet and soulful title track.

When it comes to the slow jams like “The Sweetest Love” Thicke lays it on thick in a good way. His lyrics can be sweet, dark and erotic making the pulsing grooves even dirtier. The one track where Thicke gets a bit carried away is the self indulgent song “Dreamworld’. But every other song on this disc is soaked in sexy guitar hooks and Jimi Hendrix inspired smoky riffs. Any fan of hot and funky R&B music should own this CD, period!

MUST HEAR SONGS: “SIDESTEP”, “MAGIC”, “SHADOW OF DOUBT”, “LOVERMAN”, “YOU’RE MY BABY”, “SOMETHING ELSE”

JENNIFER HUDSON - “JENNIFER HUDSON”

GRADE: B+

Jennifer Hudson is under a lot of pressure to deliver a great album after her Oscar win over two years ago. Thankfully all the time in the studio tweaking away with multiple producers on her new album was worth it. Jennifer Hudson has worked with the right people on this album. Her pairing with Ludacris and Timbaland in “Pocketbook” is a powerful pop song with a delicious hook. I predict that over time this album will produce multiple hits.

If you are not a fan of hip-hop or modern R&B then this is not your cup of tea. A lot the ballads have an old school sound and early 90’s vibe. Hudson and T-Pain make a great duet team on the radio ready slow jam “What’s Wrong (Go Away)”. Hudson is best singing sassy attitude layered classic R&B inspired songs like “I’m His Only Woman” (which she sings with American Idol winner Fantasia).

Hudson isn’t breaking new ground with her debut, but at the same time the music scene needs a great R&B/Hip-Hop album filled with hits that will bring the strength and passion back to the genre. Hudson has such a powerful and strong presence when she sings it is hard not to be blown away listening to her brand new disc, check it out!

MUST HEAR SONGS: “SPOTLIGHT”, “MY HEART”, “I’M HIS ONLY WOMAN”, “POCKETBOOK”

OF MONTREAL - “SKELETAL LAMPING”

GRADE: A

Of Montreal may have some real catchy songs but most of their records are masterfully constructed electronic orchestras of mayhem. The group produces music that is spliced up and choppy at times, comprised of multiple melodies and harmonies that abruptly start and then begin to suddenly evolve into strange muliti-layered tracks. By mixing artsy beats and odd soaring vocals Of Montreal is able to create bizarre masterpieces.

An example of how Of Montreal can tap into that perfect mix of catchy music and weird gorgeous harmonies is on one of “Skeletal Lamping’s” best songs, the sex drenched track “St. Exquisite’s Confessions”. I still can’t make sense of most of the lyrics on this or any Of Montreal CD’s but I love trying to. The ambiguous nature of the songs, eclectic use of noise and instruments and the creative production make this CD a truly weird experience.

This CD has to be heard to be believed. Most mainstream music fans will not like the innovative and new sounds that Of Montreal creates which is understandable, they are an acquired taste. Songs like “For Our Elegant Caste” sound as if you are taking a ride on a trippy carousel in a strange psychedelic universe. If you like having your definition of music pushed to new levels then you need to hear Of Montreal’s new CD.

MUST HEAR SONGS: “FOR OUR ELEGANT CASTE”, “ST. EXUISITES CONFESSIONS”, “GALLERY PIECE”, “ID ENGAGER”, “WICKED WISDOM”

JENNY LEWIS - “ACID TONGUE”

GRADE: A

Jenny Lewis in many ways has a traditional singing voice that could have easily gotten lost in the adult contemporary landscape. Even in her darkest songs her sweet and tender voice perk you up and lift your spirits as is proof on “Acid Tongue’s” most inspirational song “Sing a Son for Them”. Last year her band “Rilo Kiley” put out a Southern California pop rock classic chock full of instantly catchy tunes.

This CD is primarily one of this year’s best albums because of its simplicity and gorgeous construction. Songs like “Godspeed” and “Carpetbaggers” (which she sings with Elvis Costello) use a twangy country influence to create a sound ready for both pop and country radio. Lewis’ eclectic taste and talent for crafting perfectly written stories set to fun melodies has allowed her to become one of rock n’ rolls biggest talents.

Lewis has a lot of interesting and fun stories to tell. It only makes her art near perfect that she can create music that sounds familiar but new and fresh at the same time. Her haunting and innocent voice soothes the soul. This album is perfect for driving on road trips and for haning out with your stoner friends (just listen to “See Fernando” for an example). If you get excited introducing your friends to new music and if you tend to overplay albums that contain great songs from beginning to end, then you need to hear “Acid Tongue”.

MUST HEAR SONGS: “BAD MAN’S WORLD”, “SEE FERNANDO”, “PRETTY BIRD”, “ACID TONGUE”, “BLACK SAND”, “JACK KILLED MOON”, “TRYING MY BEST TO LOVE YOU”

LISTEN TO A FREE STREAMING MIX OF NEW MUSIC BY JENNY LEWIS, ROBIN THICKE, OF MONTREAL, JENNIFER HUDSON AND JEM BELOW!

GRADE: A

(SOME EXCERPTS TAKEN FROM BIGSHOTMAGAGAZINE.COM)

Kaskade, born Ryan Raddon, was a good Mormon boy growing up in Chicago. Initially attracted to the music, atmosphere, and “open minded people�? of the House scene, Raddon started DJing as a college student at University of Utah; and after moving to San Francisco, he went from being a paper-pushing, keyboard-clacking A&R Assistant at OM Records to being one of the label’s biggest stars. I have seen Kaskade live in concert over 5 times and his snazzy good looks, creative easy style and brilliant sampling make him my favorite DJ of all time.

Kaskade has slowly become the hip go to DJ for current mixes of hot pop tracks. Britney, Kelly Clarkson, Justin Timberlake and Rufus Wainwright are all fans. His place in the gay club scene, where he has been a star for many years, is a shining example of his cross over dance floor appeal. His current popularity on dance radio stations is long over due.

When Kaskade released his first album of original material two years ago titled “Love Mysterious” I couldn’t stop raving about Kaskade’s brilliant songwriting skills. With “Strobelight Seduction” Kaskade has proven he is one of today’s best house DJ’s. This album doesn’t contain one bad track and it’s hard to pick a song that couldn’t be a radio hit.

“Strobelite Seduction” is a return to the shimmering, glistening sonic landscape that the artist helped defines alongside other House heads – many hailing from that same City by the Bay – who have managed to meld the best traits of upbeat dance music with chill, meditative down-tempo. Arguably one of the most pronounced electronic music movements of the decade; some have dubbed it West Coast House, some Deep House, and many more by a different chosen moniker.

“Step One Two” and “Move with Me” are the most seductive and sensual tracks on the record, not to mention they are consistent booty shakers that leave me foaming at the mouth for a good remix. Kaskade also proves that he is the king of smooth sexy house music grooves on the tracks “Pose” and “I Remember” which have haunting lyrics and crazy pop hooks.

The best tracks on this disc have to be the stellar dance anthem “Angel on My Shoulder” and the building chill out masterpiece “I’ll Never Dream”. Both songs show the diverse range Kaskade has perfected in his many years on the club circuit. His hand is on the pulse of what is hot in dance and radio friendly pop music. I wouldn’t be shocked if his career explodes due to the originality of this easily marketed commercial ready album. The sweeping chilled out “Borrowed Theme” is a techno bedtime story with a stirring lullaby that is incredibly soothing.

Strobelite Seduction’s best asset is the guest vocals by Haley Gibby and Kaskade’s Late Night Alumni band mate Becky Jean Williams. Their unconventionally soft singing style is the perfect anecdote for that late night after party. If you are looking for that perfect party CD that dance music snobs and mainstream pop fans alike will enjoy then “Strobelight Seduction” is the CD you need to own this summer.

LISTEN TO A SAMPLING OF KASKADE’S NEW CD “STROBELIGHT SEDUCTION” BELOW:

LISTEN TO THE “STROBELIGHT SEDUCTION” TRACK “ONE HEART” BY KASKADE BELOW:

LISTEN TO THE “STROBELIGHT SEDUCTION” TRACK “BORROWED THEME” BY KASKADE BELOW:

GRADE: A+

My Morning Jacket is an American rock band known for their reverb-heavy sound, their eclectic mix of indie rock, country rock, southern rock, psychedelic, and jam band styles, and enthusiastic and energetic live shows. Formed in 1998 in Louisville, Kentucky, the band signed with ATO Records four years later.

The band’s moniker comes from a discarded coat lead singer Jim James found while sifting through the remains of his favorite bar after it burned down. The coat was embroidered with the letters “MMJ” on it.

Singer/songwriter/guitarist James’ band mates are bassist “Two Tone” Tommy, drummer Patrick Hallahan, guitarist/pedal steel guitarist/saxophonist/vocalist Carl Broemel and keyboardist Bo Koster.

My Morning Jacket’s last album “Z” is a modern day rock and roll classic packed full of familiar sounding rock jams that never cease to get old after listening to it over and over again. So you can guess how much pressure this latest album is up against. “Evil Urges” is already the best rock and roll CD of 2008 hands down. Once again MMJ have crafted the perfect package of modern rock with a hint of classic harmonies thrown in.

The album begins with the ethereal title track and holds onto the jugular up until the last song. MMJ went for a more mainstream approach on this new record and I am guessing it will make this album an instant critical favorite as well as a mainstream hit. For example, the lush sounding “Librarian”, which is a masterful song with lyrics that weave a story with gorgeous imagery. MMJ have been the coolest unknown jam band for a while, and this is about to change.

Lead singer Jim James raw and powerful voice has never sounded so strong with his wide ranging falsetto. The emotional charge his unconventional singing voice adds to the well crafted lyrics is pure magic. The wit and charm like in the song “Highly Suspicious” is endlessly entertaining, the lyrics pop and stay with you long after the song has ended. How can you not giggle at a funky lyric like; “peanut-butter-pudding surprise”?

The haunting stretched out guitar licks and thumping bass lines like in the romantic sweeping track “Thank You Too” are heart aching and emotional. This is especially true on the hard rock charged head banging song “I’m Amazed” that has a slight country edge to it. The sounds on this record are refreshingly eclectic and comforting.

Just yesterday I listened to this record twice in a row, it is that great. After catching these guys at Coachella in 2006 and then again this year, I have become a die hard fan who loves to spread the message that MMJ are one of the best touring rock bands out there today. I plan on catching these guys when they play at the Greek Theater here in the bay area as well.

BEST SONGS: “Evil Urges”, “Highly Suspicious”, “I’m Amazed”, “Thank You Too”, “Touch Me I’m Going To Sleep”, “Librarian”

WATCH THE “I’M AMAZED” MUSIC VIDEO BELOW:

WATCH THE “EVIL URGES” PROMO VIDEO BY MY MORNING JACKET BELOW:

OK …I am so excited to be posting this…because I have been waiting for five months for this CD to be released and I was able to get my hands on the Japanese import of Cyndi Lauper’s new CD “Bring Ya to the Brink”. It contains all new material, and it’s fucking wonderful.

This all dance beat CD is what I have been waiting for. I have been wanting Cyndi to do put out an album like this for a long time. You can actually feel the happy vibes pooring out from her on this CD. Weird I know…but I can feel it.

On this CD she works with (from Wikipedia); “Lauper has written songs with dance legends Basement Jaxx, Digital Dog, Dragonette and Kleerup (who also worked with ROBYN) and more.”

There has been a lot of crap on the net about Cyndi going all “dance” on this one CD. I think it’s a brilliant move. She’s an artist and whats great about being an artist is exploring new ways to be more creative. Look at Madonna and look how many times she has worked herself over to try something new. “Brink” CD hits the US on May 27th….and it’s definatley worth putting in your collection.

Songs on the CD are:

1.) “High and Mighty” (Her voice is nice and deep..with a booty stomp-in beat that gets you in the mood to start dancing).

2.) “Into the Night Life” (My fave fave song on this CD. reminds me of good times at a club. the chorus is beautiful. and her voice sounds great).

3.) “Rocking Chair” (This one has grown on me. It feels like an African style dance song. My favorite line in the song is “Look at the Romeo boys/ they will be dancing/ with the cha cha girls”).

4.) “Echo” (Another fave on this CD. speaks about going through a busy day with a trancey tip to it).

5.) “Lyfe” (This tune is just OK for me…it almost doesn’t seem to go with the rest of the CD. But this one will grow on me).

6.) “Same Ol’ Fucking Story” (This is the first single off of the CD. It was already starting controversy because the main chorus in this song is “it’s the same ol fuckin story. One for me two for you…it’s the same of fuckin story”. I love it. It’s a saying you hear a lot. It is burning up the dance charts. It’s got a funky disco dance beat to it. This also puts a “warning sticker” on the CD, but you can get it with out the curse word in it too).

7.) “Raging Storm” (Talks about celebrities and their lives and having it all and losing it. I think she hits a tone on Ms. Britney Spears in a line where she says, “but you better not do a bad show..on MTV”. This song is alright).

8.) “Lay Me Down” (Reminds of a song you would hear in a lounge type of setting..chilling out with some friends).

9.) “Give It Up” (With a break from all of the slowish type songs this will get your body moving again..strong beat and good song that makes wanna scream “GIVE IT UP”…good workout song).

10.) “Set Your Heart” (Every time I hear this song I keep expecting to hear Barry whites voice to come in some where…she sang this song at the true colors tour last year…it’s got the horns and that Barry disco beat to it).

11.) “Grab a Hold” (Another one of my faves….reminds me of something that would have appeared on her she so unusual record. It’s a sweet song of telling some one that she is always going to be there for them and not to give up you’ll see her soon. Her voice sounds cute and little in the beginning , but very powerful for the chorus).

12.) “Rain on Me” (This is a nice relaxing song to end this CD if you get the US version. OK not relaxing, but kind of chill out).

**Bonus Songs (only on the Japanese import)**

13.) “Got Candy” (I really wish this CD was on the US version, but I’ll have both so I’m not worried…but I fucking love this song. It’s got an Asian feel to it but a really good beat that I can’t describe. Every time I listen to it I am istantly happy. I believe the song is about a person who just ends up finding the happiness that they deserve).

14.) “Can’t Breathe” (I also wish this song was on the US version too it’s like a little throw back to “I’m gonna be strong”…she sounds scared and alone and that anxiety has hit her. You feel it, because you have been there before).

SO GO OUT AND BUY THIS CD..YOU SO WON’T REGRET IT…and thanks for reading.

Welcome to another new guest blogger section of Pop Culture Buzz titled “Mariah Vision” written by my long time high school friend Mariah McGill. Last week I introduced you to another guest blogger segment called “Yeah, I Said It” and now this week I want a lesbian womans perspective on the new Madge CD.

Below is Mariah’s guest review of “Hard Candy”. With all of the rave reviews, it’s good to see not everyone in the gay community is praising this new album. With all of the press though it looks like Madonna has another hit on her hands (”Hard Candy” debuted at #1 on Billboard last week)!

OK….so I downloaded the latest Madonna CD “Hard Candy�?. I have to say the title reminds me of the raver days of hard techno beats. I don’t like the cover, mainly because I have seen Madonna look better. I must admit that I do own a couple of Madonna’s CD’s, but I’m not running out to get them as I would a Cyndi Lauper CD. I’ve always had this stupid little hate toward Madonna because I am such a huge Cyndi Lauper fan.

Usually, it takes me a couple of radio plays for me to like a Madonna song. I am still having a hard time adjusting to the first single “4 minutes�?. It is almost as if she had Justin Timberlake and Timbaland on the song to get the song noticed. I love Timbaland’s work, but I feel this song is a mess.

I tried listening to the CD and I’ m saying tried, but nothing was really catching my attention to this CD. Her voice sounded the same in every song, most of the songs sounded like midi files or a keyboard full of sounds composed into a song beat. I can see myself dancing to some of them if they were mixed.

I did find myself bouncing my head a little bit and that song was “Dance 2night�?. I could see myself dancing around my apartment or anywhere the song is played and shaking it for a bit. You can definitely hear the London music influence, but there is a lot of good dance music in London that probably would have been a better fit for this CD.

We all know Madonna can reinvent herself for anything. She’s dabbled in it all. She’s a business woman and knows how to get attention for herself when she needs it. So on a scale of 1 to 10 and 10 being good….I’d have to give it a 3. The CD gave me a headache. Midi songs just don’t work for me as good dance beats or synthesized voices.

Welcome to a new editorial section of Pop Culture Buzz called “Yeah, I Said It” written by a good friend of mine (who is also a “pop whore”) Stephen A. Marchi. He is currently galavanting across Europe to see the one and only pint sized gay diva herself, Miss Kylie Minogue!

I have asked Stephen to review Madonna’s “Hard Candy” because he is one of Madge’s biggest fans and he has a fabulous sense of pop culture taste…I will forgive him for his love of Britney. But that is why I have asked him to join my blog as a guest blogger once in a while, I need another perspective to spice things up.

I personally agree with Stephen’s reviews for each of these songs, he hits the nail right on the head. I currently can’t stop playing “Give It To Me”. I give Madonna’s “Hard Candy” a solid B+, it is already one of my favorite albums of 2008. Check out Stephen’s mini-review below and keep your eyes peeled for more “Yeah, I Said It” postings!

YEAH I SAID IT!
By Stephen A. Marchi

MADONNA - “HARD CANDY”

Candy Shop: Probs my least favorite track off the album. Turkish Delight?? Only Parker Posey can say ‘Turkish Delight’ in my book - Party Girl. He he Hello! Too Pharrell’ish.

4 Minutes: Loves it! And it does sound like a Justin Timberlake track, HOWEVER, it’s a Madonna Track - peeps need to get over it. There are a lot of Madonna’isms in it. Especially her singing/yelling ‘YEAAAAH’ And “sometimes I think I need a you Intervention.” The road to hell is paved with good intentions…YEAAAAH. And the video is BRILLS. Love those French boy directors.

Give It To Me: Love the beat and it’s the second single off the album. She’s already filmed the video. Have you seen the video on YouTube where’s she’s vacuuming telling Miley Cyrus/others to keep up the good work on spoofing ‘4 Minutes’? Again, BRILLS. Madge is reaching out to her younger audience.

Heartbeat: Sounds like a song off Kylie’s new album X. Very 80’s sounding. Solid Track.

Miles Away: Ode to Guy Ritchie - seems like their marriage is better when they’re Miles Apart. It works for some peeps and with a force like Madonna, it probs has too. Another Solid Track.

She’s Not Me: Ok, love this song. I believe she’s totes talking about Guy Ritchie’s girlfriend before they were a couple. Hmmm, maybe a counter-attack to Robbie Williams/PetShopBoy’s ‘She’s Madonna’ (loves that song and video).

Incredible: Ok track. Fun, light, airy. To me, sounds very early 90’s.

Beat Goes On: The Beat is Hip/Hop. Ok song, very Pharrell..AGAIN Oh and a cameo by Kayne West. Not a big fan of ‘I deserve every award’ West. Still love it. It’s Madonna.

Dance2Night: Another Justin Timberlake track. It’s ok.

Spanish Lesson: Another Madonna Spanish song. What kind I say…it’s ok. It will grow on you. However, I don’t need a Spanish Lesson.

Devil Wouldn’t Recognize You: Love, LOVE, LOVE this song. Great beat, ominous. Overall, an awesome song. I keep listening to this song over and over. This song with her last song on the album are slower, which I love when Madge sings slower songs. She’s good at ballads.

Voices: “Who is the Master, Who is the slave” as Justin T begins this song. And then….the BEST beat on the album!!! This is my FAV song on the album. It’s got great lyrics, beats, and a genius ending for her ending relationship with Warner Bros. It’s almost like an end to a Musical or Opera. Hands down a FEROCH SONG! OMG, it’s really good.

Well, that’s my TWO CENTS! I love it, I love Madonna, and I love “Hard Candy”! She can do no wrong in my book! FRESH!

YEAH, I SAID IT!
Stephen A. Marchi

LISTEN TO MADONNA’S NEW ALBUM BELOW:

GRADE: B+

Out of all of the guilty pleasures that I am ashamed to admit to in music, this is my biggest folks. I know I sound like a hypocrite with my anti-Britney stance but I can’t get over Ashlee Simpson’s non-stop fun pop song hit factory. Her bubble gum sweet brand of lip synching friendly radio tunes are at their best on Simpson’s third (and best to date) studio album. Packed full of catchy Gwen Stefani riffs and 80’s inspired tracks, “Bittersweet World” is an instant iPod favorite of mine already.

Simpson worked on this album with producers Timbaland, Chad Hugo, and Kenna. It has been described by Simpson as a “fun party album” with a “silly and quirky” side and some influence from 1980s music. She has also described it as having a more beat-oriented sound than her first two albums, “Autobiography” and “I Am Me”, although still retaining some of those albums’ guitar-based sound.

The insanely original catchy singles “Hot Stuff”, “Boys” and “Outta My Head” deserve to blow up this summer. “Rule Breaker” is a deliciously bratty Pat Benatar-like rock n’ roll fist-pumper. The fake punk snarls and rebel girl attitude in songs like “Beat It” and “Rag Doll” would come off silly if it weren’t for Simpson’s fabulously husky “voice”.

Even the ballads “Bittersweet World” and “Little Miss Obsessive” have an original rock edge that caught me off guard, both could even be minor hits. This album is quite the fun little pop find if you can get past all of Simpson’s recent “SNL” and nose job drama that has made her a star up to this point. This album is proof that there is someone other than Britney worthy of the pop princess crown.

WATCH THE “OUTTA MY HEAD” MUSIC VIDEO BELOW:

LISTEN TO TRACKS FROM “BITTERSWEET WORLD” BELOW:

GRADE: A

Alphabeat is a Danish pop band from Silkeborg signed to Copenhagen Records in Denmark and Their Danish debut single “Fascination” was a major hit in Denmark during the summer of 2007. A second single “10.000 Nights of Thunder” saw equal success, and both singles are currently on the U.K. charts.

Alphabeat’s debut album “Alphabeat” is the perfect summer charmer — chock full of sugary sweet melodies. Alphabeat’s sound is mainly retro 80s melodic pop like Roxette. For fans of bouncy pop rock this is pop masterpiece full of original material. In my opinion, this album is poised to be an international hit.

The first two singles “Fascination” and “10,000 Nights” are a gift from gay rock heaven. Alphabeat craft instant sing along classics that were born for the radio. The firecracker track “Fantastic 6″ has the sparkle and lyrical jabs reminiscent of some of the B-52’s most famous songs.

“Rubber Boots/Mackintosh” has the Scissor Sisters lead singer Jake Shear’s vocal fingerprints and influence gushing out of every glam note. The country twang and duet harmonies of Aplphabeat’s male lead singer Anders Nielsen and female lead singer Stine Bramsen on the song “Nothing But My Baby” is gloriously infectious.

“Alphabeat” is a fresh surprise that, most likely, won’t find an American audience. It is unfortunate that simple harmonies and sweet lyrics have no place on American radio. The unpretentious insanely sweet music on this album is a rare treat for people who like shiny fun summer tunes.

WATCH THE “FASCINATION” MUSIC VIDEO BELOW:

LISTEN TO THE SONG “10,000 NIGHTS” BELOW:

THE B-52’s - “FUNPLEX”

GRADE: B

Before “The Scissor Sisters” the B-52’s were the only other band to fuse gay culture, fun lyrics and snazzy guitar driven pop tunes onto the music scene. The B-52’s impression on other New Wave pop bands in the early 80’s was unmistakable. Their massive hits “Rock Lobster” and “Love Shack” have become karaoke and wedding reception staples on their own.

On their new album the B-52’s stay true to their fun familiar formula of terrific dance worthy harmonies. The title track “Funplex” and “Hot Corner” are the stand out party tracks on this record. “Eyes Wide Open”, “Love in the Year 3000″ and “Dancing Now” bring the B-52’s hyper sound up to date with pulsating electro beats.

Cindy Wilson and Kate Pierson’s harmonies are just as crisp and fresh as they have ever been. Listening to “Deviant Ingredient” made me realize that too many modern rock bands take them selves too seriously these days. Most of the tracks on this disc cater to the silly party animal in all of us.

Although “Funplex” doesn’t do much to reinvent the B-52’s sound, it does remind me that their fresh exuberant party sound is sorely missed in music. “Funplex” is what it is, a great party album with some hilariously over the top lyrics that will make you laugh while shaking your ass.

Funplex

R.E.M. - “ACCELERATE”

GRADE: A

My last truly favorite R.E.M. album was their hefty hard rocking CD titled “Monster” from the mid-90’s. R.E.M. have released a handful of albums since then that have never really connected well with fans and critics. Their ability to release a couple of some what catchy singles from those albums wasn’t enough to continue the massive success of their major hits “Out of Time” and “Automatic for the People.”

With their new CD “Accelerate” R.E.M. have finally put out an old school R.E.M. album chock full of familiar yet new sounding material that blows away all of the music they’ve made in the past 10 years. Finally Michael Stipe has gotten back in touch with his inner song writing genius. The instantly catchy and gorgeous sounding first single “Supernatural Superserious” is Stipe back on top of his game. The instant favorite “Hollow Man” is Stipe at his most exposed and restrained.

“I’m Gonna DJ” is a fierce and pointed song that makes me fall in love with R.E.M. all over again. The tracks “Mr. Richard”, “Accelerate” and “Man Sized Wreath” both have a great ferocious yet melodic guitar sound that is reminiscent of songs from “Monster”. The softer tracks “Houston” and “Until The Day Is Done” sound as if they were plucked from their masterpiece “Automatic for the People.”

“Accelerate” is the album R.E.M. fans have been waiting for years. It redefines this group as the true rock innovators that they are. Nearly 30 years since their career started R.E.M. has thrown their hat back into the ring as classic masters of Rock n Roll. With very little to complain about, “Accelerate” is already one of 2008’s best albums.

REM - Supernatural Superserious

MOBY - “LAST NIGHT”

GRADE: A

Thank god Moby went back to his dance floor roots and put out a new dance CD with “Last Night”. I am a huge Moby fan but his last two TV commercial friendly CD’s left me longing for the innovative raver I fell in love with back in the early 90’s. With “Last Night” Moby has decided to relax and get down and the result is a fantastic electronic album full of night club ready dance songs.

Listening to the mind blowing “Ooh Yeah” and the awesome first single “Disco Lies” I am already craving the numerous remixes that will be made. The sexy cool beats of “I Love To Move In Here” and “2.57 Zero” disprove all the haters that claim Moby can’t make funky ass shaking tracks with a hard edge worthy of underground parties anymore.

“Everyday is 1989″ and “The Stars” sound as if Moby stepped into a time machine and came out with a couple missing gems from his groundbreaking and monumental disc “Everything Is Wrong.” The build up and chorus on “Sweet Apocalypse” will have old school ravers reaching for their glow sticks and dancing to the wicked beats.

“Live For Tomorrow” is the most dramatic and exciting song on this modern masterpiece. Moby uses his old tricks and comes up with new sounds that cement electronic music as the important medium it is. The operatic arrangements and swelling sounds on “Last Night’ propel electro music into a new and deserving place in pop music.

Moby - Disco Lies

HERCULES AND LOVE AFFAIR - “HERCULES AND LOVE AFFAIR”

GRADE: A+

Every few years a new group comes along that uses past influences to reinvent a genre by using simple pop techniques to create an exciting sound that instantly grabs you. This year that band is called Hercules and Love Affair and their new debut self titled album is the first masterpiece of 2008. This album also contains the most original dance track of 2008 (so far) called “Blind.”

Hercules and Love Affair is a musical project from New York based DJ Andy Butler. Members include Nomi, Kim Ann Foxman and Antony Hegarty. Antony Hegarty (born in 1971) is an English singer-songwriter, best known for being the lead singer of the band Antony and the Johnsons. Antony and the Johnsons’ 2005 album “I Am a Bird Now” won the UK’s prestigious Mercury Prize.

Antony Hegarty’s intoxicating and heartbreaking voice lifts the disco tempo driven beats on this CD from electronica obscurity. The textured lyrics, orchestral bleeps and bloops with the layered melodies in songs like “Time Will”, “Raise Me Up” and “You Belong” leave you craving their familiar 80’s synth sound not long after they end.

The song “Athene” is a new wave gem with a modest looping dance rhythm that will instantly creep into your subconscious. The fun song “Hercules Theme” shows that all is not serious with this new electronic act, just listen to the cartoon-ish effects and typewriter on “True False/Fake Real” and you will hear the shear genius of this super group.

In a wasteland of disposable dance acts Hercules and Love Affair have the potential to excel like electro-dance acts such as Pet Shop Boys, Erasure and The Scissor Sisters. This album is not out in the US at the moment which means you must do whatever you can to get a copy, it is worth every penny!

WATCH THE MUSIC VIDEO FOR “BLIND” BELOW:

WATCH THE MUSIC VIDEO FOR “TIME WILL” BELOW:

DUFFY - “ROCKFERRY”

GRADE: B+

Duffy is just one of the many “blast from the past” sounding chanteuses to come out of the UK following Amy Winehouse’s huge success across the world. Unfortunately she is categorized into a genre titled “Neo-Soul” or new soul (the title alone makes me cringe). It is obvious that her influences range from Dusty Springfield, Lesley Gore and Lulu.

But that is where I like to stop the comparisons. Duffy is a stand alone performer with a huge voice and she is worthy of her own accolades. There is a reason why her first single “Mercy” stayed atop the UK charts for 5 weeks. That song is a warm welcomed flashback from the early 60’s soul movement.

Duffy’s surprising range can be heard on the delightfully sweet tracks “Rockferry”, “Syrup & Honey�? and “Warwick Avenue”. The string arrangements and strumming guitars have that welcoming calming effect. On songs like “Distant Dreamer” and “Delayed Devotion” the hypnotic tambourine beats will keep your toes tapping during those dreaded long car rides.

The weaker songs on Rockferry like “Serious” and “Hanging On Too long” only suffer from sounding to recent but they are great contemporary tracks on their own. “I’m Scared” is one of my favorite songs due to its simple organ construction and 50’s doo-wop sound.

If Amy Winehouse’s disturbing downward spiral is too much for you to put up with then you will fall in love with Duffy’s simple and familiar classic sound. This album has already secured a place in my best of 2008 and I think many of you will enjoy it when it is released here in the USA this coming summer, until then enjoy the music and videos on this posting!

WATCH THE “MERCY” MUSIC VIDEO BELOW:

WATCH THE “ROCKFERRY” MUSIC VIDEO BELOW:

ADELE - “19″

GRADE: B-

Along with Duffy, Adele is making a huge impact on the music business across the pond. Her single “Chasing Pavements” has been a top 20 staple for over 6 weeks in the UK and for good reason. The song is a pitch perfect radio friendly tune that is an instant winner. The soulful hook in “Chasing Pavements” makes it one of 2008’s best singles already.

Unlike many of her musical “Neo-Soul” counterparts Adele is more of contemporary artist with a huge talent for rich piano driven songs. On the tracks “Hometown Glory”, “Best For Last” and “Make You Feel My Love” Adele’s deep husky voice is all at once heartbreaking and then uplifting. The dreamy guitar melody of “Daydreamer” and the lullaby sound of “First Love” are both soothing and relaxing.

The fast paced jamming lyrics and hooks in “Right As Rain”, “Cold Shoulder” and “Tired” are a complete departure from the R&B influences on the rest of this CD, but they still seem a good fit. The one throw away track on this CD is called “My Same”, but even it has some likeable qualities in its basic construction.

Adele’s album titled “19″ isn’t revolutionary but it is a fun little gem from the UK that is worth checking out if you’re into the huge flux of white soul singing chicks coming from Europe like I do. If anything the handful of top notch pop singles on this disc are definitely worth the listen if you consider yourself a fan or critic of the genre.

WATCH THE “HOMETOWN GLORY” MUSIC VIDEO BELOW:

WATCH THE “CHASING PAVEMENTS” MUSIC VIDEO BELOW:

EVEN THOUGH ALL THREE OF THE NEW CD’S BY DUFFY, ADELE AND HERCULES & LOVE AFFAIR REVIEWED ABOVE ARE NOT AVAILABLE FOR SALE IN THE USA YET, YOU CAN HEAR THEM ON THE STREAMING JUKEBOX BELOW:

GRADE: B

In 2006 Gnarls Barkley exploded onto the scene with the timeless throw back single “Crazy”. Their debut album St. Elsewhere not only swept the Grammy’s but was also a massive world wide success. I am glad to say their latest CD tests the limits of pop music by melding together another 60’s R&B influenced collage of odd beautiful little ditties.

The new single “Run” mixes the instant catchiness of Outkast’s “Hey Ya” and mixes it with one of Gnarls’ first hits off of St. Elsewhere called “Smiley Faces”. “Blind Mary” is another toe tapper with beautiful Beatles-esque harmonies.

“A Little Better” is one of the more soulful entries on this c.d. The song’s laid back groove and gospel build up are well worth the pay off. The two more mainstream sounding tracks titled “Charity Case” and “Surprise” are both groovy flashbacks with shimmying go-go girl back up vocals that are eager to please.

GNARLS BARKLEY AS “WAYNE’S WORLD”

Some of the more experimental sounds on this album like on the songs “Neighbours” and “Open Book” are a bit clunky, needless and all over the place. There is also nothing new to hear on the track “Who’s Gonne Save Your Soul” which has a haunting Portishead like back beat.

The song “Would Be Killer” is a bit plodding, silly and over produced. “Going On” has a great clap infused hook with a grinding church organ that makes it stand out. “She Knows” has a dreamy quality that is smooth and light, it rounds out some of the more abrasive tracks mentioned above.

“The Odd Couple” isn’t as groundbreaking as “St. Elsewhere” but it is as fun and innovative. If anything Gnarls Barkley offer up something new to the music horizon with a fresh point of view. And if you have never seen them live then you are missing out on quit the spectacle. If you don’t know much about Gnarls Barkley then you should pick up this new album and catch them on tour, you’ll be glad you tried something new and different.

WATCH THE MUSIC VIDEO FOR “RUN” BELOW:

LISTEN TO THE SONG “WHO’S GONNA SAVE MY SOUL” BELOW:

LISTEN TO THE SONG “BLIND MARY” BELOW:

LISTEN TO THE SONG “CHARITY CASE” BELOW:

LISTEN TO THE SONG “GOING ON” BELOW:

LISTEN TO THE SONG “SURPRISE” BELOW: